Thursday, January 31, 2013

DSLR Lens Buying Guide - Part 2

DSLR Lens Buying Guide Part 2 is the next clues before you buy dslr lenses. Unlike if you have a pocket or a prosumer camera, where the lens can not be changed, the owner of DSLR camera lens requires precision in choosing to be purchased, as each type of lenses designed specifically for a particular shoot. But DSLR camera manufacturers anticipate the needs scene by attaching the kit lens that is a lens vario, which is designed to meet the initial needs of the buyer or user to a certain extent because the lens kit is economical to reduce the price of DSLR camera package offered to the market.

After a lot of shooting with the default kit lens camera the photographer will definitely feel the lack of such a kit lens, so that he would decide to buy a new and better lenses. The question is "what kind of lens you should buy?" For photographing macro would be better results if you use a macro lens, photographing landscape will be better results if you use a wide-angle with fixed-aperture. Similarly, macro photograph will not be good results if you use a wide angle lens.

To be emphasized here is no need to buy all types of lenses. Select the lens that best suits your photography needs the most preferred and most frequently performed.

To be able to decide what type of lens to buy, do some research as follows:
  1. Take photos with the kit lens as often as possible with good planning.
  2. Periodically, inventorying your photo collection and create a classification that found photography categories most frequently performed.
  3. Detailed diagnostic photographs of most categories and determine the necessary repairs of the lens, for example:
  • less sharp focus
  • less blur bokeh
  • less precise tonal
  • less rapid response, etc..
Job demands

An understanding of this photo category, allowing us to determine the criteria of the lens that we need, for example:
  • Paparazzi and sports journalists often take photos from a distance and speed of response necessary in order not to miss the moment, so need a telephoto lens with a focal distance (over 200 mm) equipped with an image stabilizer and ultrasonic motors.
  • Photo studio with lighting products in a limited, need a lens with a shorter focal length (between 18 and 50 mm), can shoot from close range (macro) and wide aperture.
  • Photo stage / show requires a lens capable of shooting in low-light conditions (wide aperture / fast lens), fast response (ultrasonic motor or the like), and long focus (200 mm or more).
  • For photojournalism, travel, human interest, what is needed is flexibility and foresight to capture the moment. Vario lens with wide range and light weight is the best suited to meet these needs, e.g. 18-135 mm or 18-200 mm.
After knowing the criteria lenses we need, then we can look for a lens that suits needs and budget.

No comments:

Post a Comment